See
Visual discipline comes before mechanical correction. The first job is to build a picture clear enough that the body can move honestly.
The Field Guide
See clearly when it matters.
David Radulovich translates perception into performance, image, story, equipment feel, and digital systems through one trained operating system.
Evidence Under Pressure
- 2017 World FITASC Champion
- 2017 and 2018 World Cup Champion
- Multiple-time PSCA Tour Champion
- Coach, competitor, course designer, photographer, and Perazzi advisor
The Field
One eye. Many fields.
A target, a student, a camera frame, a Perazzi build, a Field Note, and a Studio system all ask for the same first move: see what is actually happening before deciding what to change.
- 01Read the field before chasing the result.
- 02Set the conditions so movement can be trusted.
- 03Translate the lesson into language, image, feel, or system.
The Field Map
Coaching stays at the center.
The public site is a field guide, not a collection of detached services. Each path is a lens on the same operating system: See / Set / Move / Evaluate / Translate.
SeeSetMoveEvaluateTranslate
Coaching / Move
The central read happens with the shooter in front of the target.
Coaching stays central because every other path returns to the same live question: what can the shooter see, trust, and move through under pressure?
World champion feedback, translated into practical work.
Method
See / Set / Move / Evaluate / Translate.
The method starts with a clear read, then builds the conditions for movement, honest feedback, and a useful next action.
Read the methodPressure
Make judgment visible
Under pressure, the shot exposes the quality of the read, the setup, and the movement. The work is learning to see those pieces clearly.
Translation
Turn feel into language
The same eye that reads a target can explain an image, a brand system, a course, or a Perazzi build in terms people can act on.
Range
One standard across fields
Coaching, Shot Lab, Studio, Field Notes, photography, and Perazzi guidance are connected applications of the same trained eye.
Crossing / Working pace
Read the line before chasing the result. The setup should make the move feel inevitable.
Hold
172 / 135
Break
438 / 89
Evaluation
Read
Presentation
Pressure
Working pace
Timing
Neutral hold
Evaluate
Set
Hold point, foot pressure, posture, and gun position are treated as a system. The setup should remove panic instead of creating more decisions.
Move
The goal is a controlled open-loop movement that can survive pressure. Clean movement is valued even when a short-term result is tempting.
Evaluate
Practice improves when the score stops being the only feedback. The work is to separate good movement from lucky breaks and bad movement from useful misses.
Translate
The last step is turning what was seen into usable language, images, systems, or next actions so the lesson can carry into the next field.
Studio
The same eye, applied to brands and digital systems.
For clubs, events, athletes, media properties, and premium brands, Studio work reads the field first, then turns the important pieces into a usable digital system.
Build the systemField Signals
Red
#db1022
Black
#111111
Canvas
#ffffff
Field
#f5f5f3
Typography
Same Eye
Under pressure, type needs the same restraint as movement.
Sans labels, serif display, and field-note body copy stay distinct without competing.
States
Responsive Frames
Desktop
Tablet
Mobile
First Read
Start with the clearest version of what you need.
Coaching, Shot Lab, Perazzi, photography, and Studio projects can all start with one clear read of the need.
Inquiry
Studio project for a shooting venue
Need
Website, photography, and event system
Ready for a direct conversation
Field Notes
A curated archive of questions about pressure, practice, equipment, image, and systems.
Featured Field Note
The Plateau Problem
CoachingMental gamePractice6 min
The biggest roadblock in shooting improvement is often not mechanics. It is how the shooter values practice feedback.
Read the noteConversation Archive
The Journey Podcast
A field notebook in audio form: shooting improvement, practice psychology, Perazzi conversations, and the questions that come up when trying to get unstuck.
Practice psychology
Perazzi conversations
Course design
Getting unstuck
Start
What are you trying to see more clearly?
Choose the closest pressure point. The next step may be a lesson, a Shot Lab submission, a Perazzi question, a Studio brief, Field Notes, or a direct inquiry.
Schedule the work
I want to book a lesson.
Go straight to scheduling when the work needs to happen on the course.
Submit the pattern
I keep missing the same target.
Submit the round, presentation, miss, feeling, and media so the pattern can be read.
Ask about feel and fit
I need help with Perazzi feel and fit.
Start a build conversation around rib, stock, weight, balance, platform, and recoil.
Start a project brief
I want to build a brand, media, or digital system.
Start a project brief for a club, event, athlete, archive, media property, or premium brand.
Read Field Notes
I want to study the ideas first.
Read the curated archive by question: pressure, practice, equipment, image, and systems.
Start here
I am not sure which path fits.
Use Start when the right next action needs a clearer first read.