Targets
Read
Line, speed, window, pressure, and the cost of guessing.
Translate
A hold point, visual plan, and movement the shooter can test.
About
David Radulovich reads fields under pressure and translates what he sees into coaching, image work, Field Notes, Perazzi guidance, and digital systems.
The Through-Line
The range only makes sense when it starts in the same place: perception before correction. A target, a student, a photograph, a Perazzi build, a piece of writing, and a digital system all ask for a clearer read before they ask for a move.
Coaching remains the center because the feedback is immediate. The shot shows whether the read survived. The rest of the work uses the same habit in different fields: notice what matters, set the conditions, move with intent, evaluate honestly, and translate the lesson into something usable.
Read the methodTargets
Read
Line, speed, window, pressure, and the cost of guessing.
Translate
A hold point, visual plan, and movement the shooter can test.
Students
Read
What the shooter thinks happened beside what the shot actually showed.
Translate
Language, drills, and next work that make the pattern usable.
Images
Read
Light, frame, atmosphere, timing, and the detail that carries the feeling.
Translate
Photographs and visual essays that treat the field as evidence.
Systems
Read
A brand, archive, event, or body of work that is hard to understand from the outside.
Translate
A clearer structure for a website, media system, or public story.
Equipment
Read
How specifications become feel, balance, recoil, movement, and trust.
Translate
Perazzi guidance from the athlete side of consequence.
What Competition Taught
The competitive record matters because it proves that the eye has been tested when the cost of a bad read was real. It should support trust without turning the work into a trophy display.
A target does not care how convincing the theory sounded. Under pressure, the shot reports whether the eyes, setup, movement, and decision were clear enough.
The wins establish credibility. The useful part is what competition keeps teaching about feedback, recovery, preparation, and what changes when the score starts to matter.
The competitive record supports the coaching, but the work is not asking a student to admire the record. It is helping the student see what they could not see yet.
Where The Eye Shows Up Now
Coaching sits at the center, and the other fields carry the same standard into different situations: see clearly, set the conditions, move, evaluate, and translate.
Explore coachingCoaching
Central work
The clearest application of the trained eye: read the target, read the shooter, and turn the shot into practical work.
Shot Lab
Diagnostic layer
A structured way to slow a miss or round down until the useful evidence separates from the noise.
Field Notes
Thinking archive
Writing and podcast-linked notes keep lessons from disappearing after a lesson, round, conversation, or equipment question.
Studio
Systems translation
The same reading habit applied to clubs, brands, events, media, and digital systems that need to become legible.
Perazzi
Equipment as feel
Build guidance that connects rib, stock, weight, balance, and platform choices to movement consequences.
Photography
Visual field work
Images of places, people, equipment, weather, and quiet details that reveal the culture around the work.
The Person Behind The System
David's public story is already enough to explain the range: years spent competing, coaching, photographing the field, writing and recording ideas, interpreting Perazzi feel, and building systems around the work.
The human thread is the standard that keeps repeating: look closely, stay plainspoken, test the read, and make the next step clearer for the person on the other side of the conversation.
Working Principles
Start with what is visible before adding a story to it.
Treat pressure as the condition that reveals what the system can actually hold.
Make the lesson, image, build choice, or digital system usable for someone else.
Proof, Translated
The resume belongs here, but in service of the through-line. Each item is useful because it shows a standard that has been tested in public and then carried back into coaching, Field Notes, Perazzi, and the rest of the work.
The read, setup, and movement held on the largest stage.
The standard repeated beyond one isolated result.
Another pressure field where preparation had to survive a full event.
Professional-tour proof in a format where feedback arrives quickly and publicly.
Long-running competitive context and responsibility inside the sport.
The Work Now
If the through-line makes sense, the right next step depends on where the pressure is showing up: method, coaching, a project, a piece of equipment, or the first conversation.
Use this when the right path needs a clearer first read.
Start where the pressure is